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I Went to Lamb’s Songwriters Showcase The dim atmosphere and large size of the restaurant (yes, the place with the giant statue of a pig on the bar) provide an ideal venue for the Showcase. The event clearly has a steady network of regular fans; the place was near empty when we showed up, and packed by 9 pm. Because of the cutthroat competiveness of the music business, it’s refreshing to experience a lineup of superb songwriters who share, support, and learn from each other on one stage. Playing first are Jessica Oberholtzer and Daniel Orcutt, a duet known as Nick Strange Duo. Oberholtzer graces us with a full, sweet, soulful voice like velvet that leaves the audience wanting to hear more; Orcutt plays guitar and does backups. Oberholtzer and Orcutt, who met ‘by accident’ in a local bar, are Ann Arbor residents who have played together a mere two years. The Nick Strange duo, (a name which Orcutt tells me has nothing to do with anything) eagerly await a new album that will be out by the new year titled “Middle of the Sun.” Next up is the eastside bluegrass group Catfish Mafia’s Nick Lucassian,
a longtime musician with a background in rock, bluegrass, gospel, and
soul. (Your confusion is mutual; Lucassian’s seating was random,
and there is no one named Nick involved in Nick Strange Duo). Lucassian’s
voice is ferocious; it will make your hairs stand on end. It is mind
blowing that so much soul comes a man of slight physical features. His
highlight, “Cruel River”, is a bluegrassy murder ballad about
a man who drowns his son in a river and is later hung by his neck for
the act. Banging out rhythm with black shit kickers, Lucassian is aesthetically
rock and roll with tattooed forearms and long hair in his eyes. Lamb mentions
he’s the closest thing to Elvis’ first band, and many
say he evokes Joe Cocker. When Lucassian takes a seat, Lamb says it all—“Nobody
sings that hard around town any more.” For his third appearance on the Songwriter’s Showcase, Steve Kovich
is reminiscent of Pete Seeger with some good ole’ finger picking.
He brings to the group gentle vocals and a quirky, folksy touch. Kovich
shares a song called “Carlos in California”, crafted for one
of Lamb’s assignments at a past Songwriter’s Retreat. Hilarious
and political, it was inspired by a news article that addressed the ugliness
of America’s greed for power. A clever line indicative of his work
is the following: “A bridge like this I needed so that I could finish
this damn song, we should have built some so that we could all get along.”
Here Kovich uses the bridge as both a symbol of diplomacy and a musical
term, with the first line referencing his desire to complete Lamb’s
songwriting assignment. |